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  • 1700-1799
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The capitalist origin of the concept of creative work

Richard Biernacki

Richard Biernacki

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The Architect as Worker : Immaterial Labor, the Creative Class, and the Politics of Design

Bloomsbury Academic, 2015

Book chapter

...The origins of the contemporary “creative class” that influences the layout of urban life today is perhaps traceable to a particular occupation in late eighteenth-century Europe. In Germany in particular, the new profession of the “author...

Literary Narratives

Mark Taylor

Mark Taylor is Professor of architecture at The University of Newcastle, Australia. Author affiliation details are correct at time of print publication.

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The Handbook of Interior Architecture and Design

Bloomsbury Academic, 2013

Book chapter

...Unlike design critics, many novelists face the interesting challenge of trying to go beyond literal and material interpretations of the interior to convey other cultural, social, and psychological meanings. In their descriptions, spaces...

Writing Walking: Ficto-critical Routes through Eighteenth-century London

Emma Cheatle

Emma Cheatle

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Writing Architectures : Ficto-Critical Approaches

Bloomsbury Visual Arts, 2020

Book chapter

...Field note 1Where am I going, I think, as I stumble along the pathway in the semi-darkness.This essay explores a method of creative-critical writing through a practice-theory of walking. As Yasmin Gunaratnam and Carrie Hamilton outline...

The challenge of leadership

Ian Gardner

Ian Gardner is a Director of Ove Arup & Partners Ltd, a member of the firm’s UKMEA Region Board, and has chaired their Future Business Executive. Over his 38 years with the company, he has worked in a variety of leading roles on projects such as High Speed 1, the London 2012 Olympic Park, and the regeneration of Potsdamer Platz, Berlin and central Doha, Qatar. Author affiliation details are correct at time of print publication.

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Achieving Successful Construction Projects : A guide for industry leaders and programme managers

Routledge, 2015

Book chapter

... Providing a general context Setting the context The client is the organisation commissioning the project and paying for it. The role and performance of the senior decision-makers in the client organisation is probably the single most...

Criticism

Christina Contandriopoulos

Christina Contandriopoulos

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The Printed and the Built : Architecture, Print Culture and Public Debate in the Nineteenth Century

Bloomsbury Visual Arts, 2018

Book chapter

...Paris, 1787, just two years before the French Revolution, a young writer by the name of Jacques-Antoine Dulaure risked his life by publishing a critical pamphlet raging against the most ambitious construction project of the century...

Description

Adrian Forty

Adrian Forty

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The Printed and the Built : Architecture, Print Culture and Public Debate in the Nineteenth Century

Bloomsbury Visual Arts, 2018

Book chapter

...Language, as Roland Barthes pointed out, is, by nature, fictional.Roland Barthes, Camera Lucida (La Chambre Claire, 1980), trans. R. Howard (London: Fontana, 1984), 87. In spite of all the stratagems that we resort to so as to give language...

Kant, Modernity and the Absent Public

Mark Jarzombek

Mark Jarzombek is Professor of the History and Theory of Architecture and Associate Dean of the School of Architecture and Planning, Massachusetts Institute of Technology, Cambridge, Massachusetts. Author affiliation details are correct at time of print publication.

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The Missed Encounter of Radical Philosophy with Architecture

Bloomsbury Academic, 2014

Book chapter

...The word public has such strong colloquial usage that even philosophically we can forget that it ‘has a history’. And if we then try to trace that history we usually find our discussion expanding into issues of politics, law, governance...

Steps Towards Analysis

Michael Hann

Professor Michael Hann (BA, M.Phil, PhD, FRSA, FTI) holds the Chair of Design Theory at the University of Leeds. He is also Director of the University of Leeds International Textiles Archive (ULITA). He has published across a number of subject areas, has made numerous key-note addresses at international conferences, and is an acknowledged international expert on the geometry of design. Previous publications with Berg are: Structure and Form in Design (2012) and Symbol, Pattern and Symmetry (2013). Author affiliation details are correct at time of print publication.

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Stripes, Grids and Checks

Bloomsbury Academic, 2015

Book chapter

...Introduction This chapter draws on observations made in previous chapters, and presents a simple straightforward approach to symmetry analysis in the visual arts and design. A small selection of case-study material...

Architecture’s Print Complex: Palloy’s Bastille and the Death of Architecture

Maarten Delbeke

Maarten Delbeke holds the Chair for the History and Theory of Architecture at ETH Zurich, Switzerland, and previously taught at the universities of Ghent, Belgium and Leiden, The Netherlands. Author affiliation details are correct at time of print publication.

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The Printed and the Built : Architecture, Print Culture and Public Debate in the Nineteenth Century

Bloomsbury Visual Arts, 2018

Book chapter

...The triumph of printing Unless otherwise noted, sources are in the collection of the Bibliothèque Nationale de France (BNF); shelf numbers are given for pieces with limited bibliographical information.On 14 July 1792 the ‘Hommes du 14...

Reproduction, Fragmentation, and Collection: Rome and the Origin of Souvenirs

Sarah Benson

Sarah Benson

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Architecture and Tourism : Perception, Performance and Place

Berg, 2004

Book chapter

...The Colosseum, whose very name suggests the monumentality of ancient artifacts, becomes an ashtray (Figure 1.1). Michelangelo's Pietà serves nicely as a paperweight. The Etruscan she-wolf, whose transfer from the Lateran to the Capitoline...