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  • 1800-1809
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An Account of the Origin and Progress of the Drama in England ; with an Historical Essay on the Theatre Royal Covent Garden

The Great Public Buildings of London Volume I : Historical and Descriptive Accounts of Each Edifice, with Illustrations

Bloomsbury Visual Arts, 2020

Book chapter

London, Southwark, Blackfriars, Waterloo, Westminster, and Vauxhall Bridges

John Britton

John Britton is Artistic Director of DUENDE, an international performance group dedicated to ensemble-based, interdisciplinary new work. Between 2004 and 2011 he was Senior Lecturer at the University of Huddersfield, where for a number of years he ran an innovative practice-based MA in Ensemble Physical Theatre. He still retains a research affiliation to the University of Huddersfield and is one of the only academic-pracitioners in the UK with a specific research focus and practice in the training and directing of ensemble theatre. Britton has a continuing international practice as a trainer and director of ensembles. Recent workshops have taken place in Mexico, Slovenia, France, Germany, Greece, Sweden, China, Portugal, Australia as well as the UK. Britton has extensive experience as a director, performer and writer of physical, interdisciplinary and text-based work. In 2013 he will teach, perform and direct in India for two months , as well as continuing to run DUENDE's programme of workshops and intensive, rural, residential training events. Author affiliation details are correct at time of print publication.

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The Great Public Buildings of London Volume II : Historical and Descriptive Accounts of Each Edifice, with Illustrations

Bloomsbury Visual Arts, 2020

Book chapter

John Julius Angerstein and the Development of his Art Collection at No 100, Pall Mall, London

Susanna Avery-Quash

Susanna Avery-Quash is Senior Research Curator (History of Collecting), The National Gallery London, UK. Author affiliation details are correct at time of print publication.

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The Georgian London Town House : Building, Collecting and Display

Bloomsbury Visual Arts, 2019

Book chapter

...Using a variety of sources, including little-known correspondence and the diaries of Joseph Farington, Susanna Avery-Quash’s chaper discusses the formation and display of the painting collection of John Julius Angerstein at No. 100, Pall...

An Account of Free-Masons' Hall

The Great Public Buildings of London Volume I : Historical and Descriptive Accounts of Each Edifice, with Illustrations

Bloomsbury Visual Arts, 2020

Book chapter

Some Account of the New Hall, Christ's Hospital

The Great Public Buildings of London Volume II : Historical and Descriptive Accounts of Each Edifice, with Illustrations

Bloomsbury Visual Arts, 2020

Book chapter

Town and Country

The Georgian London Town House : Building, Collecting and Display

Bloomsbury Visual Arts, 2019

Book chapter

...The present chapter is based on research for a forthcoming book on the development of the London house as a centre of patronage and collecting. Material relating to the Spencers is mainly derived from the Althorp papers in the British...

An Account of the House of John Soane, ESQ

The Great Public Buildings of London Volume I : Historical and Descriptive Accounts of Each Edifice, with Illustrations

Bloomsbury Visual Arts, 2020

Book chapter

An Essay on the Architectural Character of the Bank of England

The Great Public Buildings of London Volume II : Historical and Descriptive Accounts of Each Edifice, with Illustrations

Bloomsbury Visual Arts, 2020

Book chapter

1790–1820: National Architecture in the Age of Revolution

Miles Glendinning

Miles Glendinning is Professor of Architectural Conservation at the Edinburgh School of Architecture and Landscape Architecture, University of Edinburgh, UK. Author affiliation details are correct at time of print publication.

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Aonghus MacKechnie

Aonghus MacKechnie is an architectural historian and Head of Heritage Management at Historic Scotland. Author affiliation details are correct at time of print publication.

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Scotch Baronial : Architecture and National Identity in Scotland

Bloomsbury Visual Arts, 2019

Book chapter

...In the name of my brave and worthy Country, I dedicate this Monument as sacred to the memory of Wallace.Gentleman’s Magazine, xcix(ii) (1814), 631.Gentleman’s Magazine, xcix(ii) (1814), 631.A spacious, massy and lofty structure, uniting...