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  • Bernard Tschumi
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The Indiscernible

Chris L. Smith

Chris L. Smith is Associate Professor of Architectural Design and Technê, The University of Sydney, Australia. Author affiliation details are correct at time of print publication.

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Bare Architecture : A Schizoanalysis

Bloomsbury Academic, 2017

Book chapter

...There are two versions of the story of Orpheus. I imagine this means there are two Orpheuses. One Orpheus unfolds in the poetry of Ovid’s Metamorphoses and follows the pattern of Virgil’s Georgics.Virgil, ‘Book IV: Bee-Keeping...

Towards a Tectonics of Devised Performance: Experiments in Interdisciplinary Learning/Teaching

Juliet Rufford

Juliet Rufford is Lecturer in Drama, Theatre and Performance at the Department of Drama, Queen Mary, University of London, UK. Author affiliation details are correct at time of print publication.

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Performing Architectures : Projects, Practices, Pedagogies

Methuen Drama, 2018

Book chapter

...Productions at the limit of literature, at the limit of music, at the limit of any discipline, often inform us about the state of that discipline, its paradoxes and its contradictions. Questioning limits is a means of determining the nature...

Introduction: Performing Architectures

Juliet Rufford

Juliet Rufford is Lecturer in Drama, Theatre and Performance at the Department of Drama, Queen Mary, University of London, UK. Author affiliation details are correct at time of print publication.

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Performing Architectures : Projects, Practices, Pedagogies

Methuen Drama, 2018

Book chapter

...Performing Architectures examines the relationship between theatre, performance and architecture in an ‘expanded field’ of spatial and artistic practice. The book’s title evokes our sense of the dynamism and plurality of this field...

Living Between Architectures: Inhabiting Clifford McLucas’s Built Scenography

Performing Architectures : Projects, Practices, Pedagogies

Methuen Drama, 2018

Book chapter

...In March 1996, Welsh theatre company Brith Gof staged Prydain: The Impossibility of Britishness in an empty industrial building in Cardiff’s docklands; it was restaged in May that year at the Tramway in Glasgow. The challenging production...

Deltiology as History: Informal Communication as Praxis

Nicholas Boyarsky

Nicholas Boyarsky, PhD, AA Dipl., is an architect and teacher. He is a partner in the London based studio Boyarsky Murphy Architects. He is a Professor of Architecture at RMIT University where he is involved with practice-based research PhD programmes in Europe and Asia, and he is a fifth year Studio Lead at Oxford Brookes University. He is a founding member of the Asian-based Urban Flashes network. Current research interests include the medium of ephemera in architectural discourse, Bogdan Bogdanovic and the Partisans’ Necropolis in Mostar, and exhibitions and publications around the Alvin Boyarsky Archive. Author affiliation details are correct at time of print publication.

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Architecture Thinking across Boundaries : Knowledge Transfers since the 1960s

Bloomsbury Visual Arts, 2021

Book chapter

...Ephemera, and in particular the vintage postcard, became a predominant tool in stimulating critical discourse on architecture and urbanism, for a brief moment in the early 1970s. This chapter traces how two strands latent within ephemera –...

Insertion as Montage

Jane Rendell

Jane Rendell is Reader in Architecture and Art and Director of Architectural Research at the Bartlett School of Architecture, University Collage London. She is the author of 'The Pursuit of Pleasure: Gender, Space and Architecture in Regency London' (Athlone Press, 2002) and co-editor of 'Strangely Familiar: Narratives of Architecture and the City' (Routledge, 1995), 'Gender Space Architecture: An Interdisciplinary Introduction' (Routledge, 1999), 'Intersections: Architectural Histories and Critical Theories' (Routledge, 2000) and 'The Unknown City: Contesting Architecture and Social Space' (MIT Press, 2000). Author affiliation details are correct at time of print publication.

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Art and Architecture : A Place Between

I.B. Tauris, 2006

Book chapter

... Insertion as Montage For Benjamin, the technique of montage had ‘special, perhaps even total rights’ as a progressive form because it ‘interrupts the context into which it is inserted’ and thus ‘counteracts illusion’.1 In this chapter...