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Neoliberalism and Affect: Architecture and the Patterning of Experience

Douglas Spencer

Douglas Spencer lectures in architecture, urbanism and landscape at the Architectural Association, London, UK. He is a PhD supervisor at the Royal College of Art, and also teaches at the University of East London. Spencer is co-editor of Critical Territories (2014) and of Urban Prototypes: Mentalities and Perspectives (2014). He is also a published essayist (The Journal of Architecture, AA Files, Domus, Topos, Radical Philosophy and Harvard GSD's New Geographies) and has contributed articles to many edited collections. Author affiliation details are correct at time of print publication.

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The Architecture of Neoliberalism : How Contemporary Architecture Became an Instrument of Control and Compliance

Bloomsbury Academic, 2016

Book chapter

...The protocols of the learning landscape are signalled in the form and appearance of Ravensbourne’s architectural envelope.The publicity brochure for the college states that the new building has a unique tessellated outer skin, inspired...

Designing the Future

The Banham Lectures : Essays on Designing the Future

Berg, 2009

Book chapter

...Biography Tom Karen...

Fiction

The Printed and the Built : Architecture, Print Culture and Public Debate in the Nineteenth Century

Bloomsbury Visual Arts, 2018

Book chapter

...In July 1848 the Chartist activist and poet Ernest Charles Jones was imprisoned at Tothill Fields for nineteen months. Repeatedly kept in solitary confinement ‘in a dark cell and fed on bread and water’, he was, more importantly, deprived...

Introduction

Jeremy Aynsley

Jeremy Aynsley is Professor of History of Design at the Royal College of Art, London and author of Graphic Design in Germany 1890-1945 and Designing Modern Germany. Author affiliation details are correct at time of print publication.

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and

Harriet Atkinson

Harriet Atkinson is a historian and Research Fellow based at the Royal College of Art. Author affiliation details are correct at time of print publication.

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The Banham Lectures : Essays on Designing the Future

Berg, 2009

Book chapter

...As the most influential writer on design and architecture in Britain in the second half of the twentieth century, Reyner Banham is not easily categorized. His life and career spanned the years of Brutalism and Pop Art, the Anti-Design...

Street Views

The Printed and the Built : Architecture, Print Culture and Public Debate in the Nineteenth Century

Bloomsbury Visual Arts, 2018

Book chapter

...Rae’s Philadelphia Pictorial Directory & Panoramic Advertiser (1851). Chestnut Street. © Canadian Centre for Architecture, Montreal.Tallis’s Street Views (1838–40). Façades along King William Street framed with a map of the immediate area...

Gothic ‘Gloomth’

Stephen Kite

Stephen Kite is Professor of Architecture at the Welsh School of Architecture, Cardiff University, UK. His previous publications include Building Ruskin’s Italy: Watching Architecture (2012), Adrian Stokes: An Architectonic Eye (2009), and An Architecture of Invitation: Colin St John Wilson (2005, co-authored with Sarah Menin). He is an Editor of the journal Architectural Research Quarterly. Author affiliation details are correct at time of print publication.

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Shadow-Makers : A Cultural History of Shadows in Architecture

Bloomsbury Academic, 2017

Book chapter

...In concluding the last chapter it was accepted that ‘Soane was no Beckford, nor a Walpole’, and that the Monk’s Parlours he created at Pitzhanger Manor and Lincoln’s Inn Fields were essentially mordant jokes in no way core to his...

‘The art of Shaddowes’

Stephen Kite

Stephen Kite is Professor of Architecture at the Welsh School of Architecture, Cardiff University, UK. His previous publications include Building Ruskin’s Italy: Watching Architecture (2012), Adrian Stokes: An Architectonic Eye (2009), and An Architecture of Invitation: Colin St John Wilson (2005, co-authored with Sarah Menin). He is an Editor of the journal Architectural Research Quarterly. Author affiliation details are correct at time of print publication.

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Shadow-Makers : A Cultural History of Shadows in Architecture

Bloomsbury Academic, 2017

Book chapter

...‘Baroque’ only emerges as a term in art criticism in the 1750s, to label something regarded as strange or weird.On the etymology and history of the term ‘baroque’, see Helen Hills, ‘The Baroque: The Grit in the Oyster of Art History...

Pop-up shops as interruptions in (post-)recessional London

Cities Interrupted : Visual Culture and Urban Space

Bloomsbury Academic, 2016

Book chapter

...Practices of temporary reuse have come to the fore in recent years as material and symbolic forms of re-appropriating ‘wasted’ vacant urban spaces. In cities in the global north, ‘pop-up shops’ – temporary occupations of vacant commercial...

Place and Histories – Writing Other People’s Memories

The Intelligence of Place : Topographies and Poetics

Bloomsbury Academic, 2015

Book chapter

...Landscape is history made visible.Who owns history?There are few more fragmented or invisible aspects of place than the history that is written, or embodied, in the land where it was lived. We touch down somewhere, happily or unhappily...

Sound, memory and interruption: ghosts of London’s M11 link road

Cities Interrupted : Visual Culture and Urban Space

Bloomsbury Academic, 2016

Book chapter

...This chapter considers how art can interrupt the times and spaces of urban development so they might be imagined, experienced, and understood differently. It focuses on the construction of the M11 Link Road through north-east London during...