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Introduction

Jeremy Aynsley

Jeremy Aynsley is Professor of History of Design at the Royal College of Art, London and author of Graphic Design in Germany 1890-1945 and Designing Modern Germany. Author affiliation details are correct at time of print publication.

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Harriet Atkinson

Harriet Atkinson is a historian and Research Fellow based at the Royal College of Art. Author affiliation details are correct at time of print publication.

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The Banham Lectures : Essays on Designing the Future

Berg, 2009

Book chapter

...As the most influential writer on design and architecture in Britain in the second half of the twentieth century, Reyner Banham is not easily categorized. His life and career spanned the years of Brutalism and Pop Art, the Anti-Design...

Street Views

André Tavares

André Tavares

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The Printed and the Built : Architecture, Print Culture and Public Debate in the Nineteenth Century

Bloomsbury Visual Arts, 2018

Book chapter

...Rae’s Philadelphia Pictorial Directory & Panoramic Advertiser (1851). Chestnut Street. © Canadian Centre for Architecture, Montreal.Tallis’s Street Views (1838–40). Façades along King William Street framed with a map of the immediate area...

Neoliberalism and Affect: Architecture and the Patterning of Experience

Douglas Spencer

Douglas Spencer lectures in architecture, urbanism and landscape at the Architectural Association, London, UK. He is a PhD supervisor at the Royal College of Art, and also teaches at the University of East London. Spencer is co-editor of Critical Territories (2014) and of Urban Prototypes: Mentalities and Perspectives (2014). He is also a published essayist (The Journal of Architecture, AA Files, Domus, Topos, Radical Philosophy and Harvard GSD's New Geographies) and has contributed articles to many edited collections. Author affiliation details are correct at time of print publication.

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The Architecture of Neoliberalism : How Contemporary Architecture Became an Instrument of Control and Compliance

Bloomsbury Academic, 2016

Book chapter

...The protocols of the learning landscape are signalled in the form and appearance of Ravensbourne’s architectural envelope.The publicity brochure for the college states that the new building has a unique tessellated outer skin, inspired...

Designing the Future

Tom Karen

Tom Karen

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The Banham Lectures : Essays on Designing the Future

Berg, 2009

Book chapter

...Biography Tom Karen...

Fiction

Emma Cheatle

Emma Cheatle

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The Printed and the Built : Architecture, Print Culture and Public Debate in the Nineteenth Century

Bloomsbury Visual Arts, 2018

Book chapter

...In July 1848 the Chartist activist and poet Ernest Charles Jones was imprisoned at Tothill Fields for nineteen months. Repeatedly kept in solitary confinement ‘in a dark cell and fed on bread and water’, he was, more importantly, deprived...

Originality and Authenticity in the Post-War Reconstruction of Britain

Peter J. Larkham

Peter J. Larkham

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David Adams

David Adams

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Authentic Reconstruction : Authenticity, Architecture and the Built Heritage

Bloomsbury Academic, 2017

Book chapter

...Introduction The concept of ‘authenticity’, however defined, seems rather at odds with almost all of the planned and built reconstruction of British towns and cities following the Second World War. There was indeed damage and destruction...

The Lord Mayor’s Banquet

Peter Blundell Jones

Peter Blundell Jones is Professor of Architecture at the University of Sheffield, UK. Author affiliation details are correct at time of print publication.

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Architecture And Ritual : How Buildings Shape Society

Bloomsbury Academic, 2016

Book chapter

...Lord Mayor’s Banquet in the Guildhall in 1914 (colour print of a painting, artist unknown, from a magazine c. 1925, found in a collection of cuttings, author’s photograph). Just as Black Rod’s procession marks the annual...

The Multiple Natures of a City: The Third Way of Becoming Political

Albena Yaneva

Albena Yaneva is Professor in Architectural Theory at the University of Manchester, UK, Director of the Manchester Architecture Research Centre, UK and Visiting Professor at the Princeton School of Architecture, USA. She is the author of Mapping Controversies in Architecture (2012), The Making of a Building: A Pragmatist Approach to Architecture (2009), and Made by the Office for Metropolitan Design: An Ethnography of Design (2009). Author affiliation details are correct at time of print publication.

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Five Ways to Make Architecture Political : An Introduction to the Politics of Design Practice

Bloomsbury Academic, 2017

Book chapter

...I will continue to follow architects as they engage in design and planning of the Gateway project in Birmingham. In this chapter, I will explore in particular the politics of architectural imaging and I will trace the production of visuals...

Experiments in Practice: The Second Way of Becoming Political

Albena Yaneva

Albena Yaneva is Professor in Architectural Theory at the University of Manchester, UK, Director of the Manchester Architecture Research Centre, UK and Visiting Professor at the Princeton School of Architecture, USA. She is the author of Mapping Controversies in Architecture (2012), The Making of a Building: A Pragmatist Approach to Architecture (2009), and Made by the Office for Metropolitan Design: An Ethnography of Design (2009). Author affiliation details are correct at time of print publication.

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Five Ways to Make Architecture Political : An Introduction to the Politics of Design Practice

Bloomsbury Academic, 2017

Book chapter

...To study the practical course of design means to be simultaneously involved in the subject of politics, and in particular, in that type of politics centred on objects. The ontology of design practice, understood as what can be said to exist...

An Unknown Object of Four Dimensions

Richard Hamilton

Richard Hamilton

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The Banham Lectures : Essays on Designing the Future

Berg, 2009

Book chapter

...Editor’s note: What follows is a typotranslation by Richard Hamilton and Ecke Bonk of Marcel Duchamp’s notes in the infinitive translated from the French by Jackie Matisse, Richard Hamilton and Ecke Bonk. The talk was not written...