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Shirley Jordan is Professor of French Literature and Visual Culture at Queen Mary University of London, UK, where she writes about contemporary women’s writing, displacement and hospitality, and city photography. Author affiliation details are correct at time of print publication.

Christoph Lindner is Professor of Media and Culture at the University of Amsterdam, the Netherlands, where he writes about cities, globalization, and visual culture. Author affiliation details are correct at time of print publication.

Miles Glendinning is Professor of Architectural Conservation at the University of Edinburgh and Director of the Scottish Centre for Conservation Studies. He has published extensively on modernist and contemporary architecture and housing: his books include the award-winning Tower Block (with Stefan Muthesius), Modern Architect, on the life and times of Sir Robert Matthew, and Architecture’s Evil Empire, a polemical evaluation of contemporary ‘iconic modernism’. His current research projects include an in-depth investigation of mass housing in Hong Kong and Singapore. Author affiliation details are correct at time of print publication.

Jon Lang, B.Arch (Rand), MRP, PhD (Cornell), is an Emeritus Professor at the University of New South Wales in Sydney, Australia, where he has been since 1990. Prior to that he taught for 20 years at the University of Pennsylvania in the United States. He has published extensively on architectural theory, urban design, and architecture in India. Author affiliation details are correct at time of print publication.

Murray Fraser is Professor of Architecture and Global Culture at the Bartlett School of Architecture at University College London, UK. Trained both as an architect and architectural historian, in 2018 he received the RIBA Annie Spink Award for Excellence in Architectural Education. He is also Chair of the Society of Architectural Historians of Great Britain. The new Banister Fletcher edition is the product of a five-year partnership project between the Royal Institute of British Architects (RIBA), the University of London and Bloomsbury Publishing. Author affiliation details are correct at time of print publication.

Alicja Gzowska is an art historian at the National Institute of Architecture and Urban Planning in Warsaw, as well as a lecturer at the University of Warsaw, both in Poland. Author affiliation details are correct at time of print publication.

Nataša Koselj is an architect who teaches in the Faculty of Architecture at the University of Ljubljana, Slovenia, and is also Chair of DOCOMOMO Slovenia. Author affiliation details are correct at time of print publication.