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Conclusion

Tim Edensor

Tim Edensor is Senior Lecturer in Human Geography, Manchester Metropolitan University. He is the author of National Identity, Popular Culture and Everyday Life. Author affiliation details are correct at time of print publication.

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Industrial Ruins : Spaces, Aesthetics and Materiality

Berg, 2005

Book chapter

...(The form of ruins) ‘must be respected as integrity, embodying a history that must not be denied. In their damaged states they suggest new forms of thought and comprehension, and suggest new conceptions of space that confirm the potential...

Introduction

Tim Edensor

Tim Edensor is Senior Lecturer in Human Geography, Manchester Metropolitan University. He is the author of National Identity, Popular Culture and Everyday Life. Author affiliation details are correct at time of print publication.

Search for publications

Industrial Ruins : Spaces, Aesthetics and Materiality

Berg, 2005

Book chapter

...As a young boy on long summer visits to my grandparents’ cottage in Scotland, a particular ruin exerted a magnetic attraction for me. At the top of the steep, treelined country lane which led away from the cottage lay an area of extensive...

Drawing Rooms: A Backward Glance—Fashioning an Individual Drawing Room

Anne Anderson

Anne Anderson

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Domestic Interiors : Representing Homes from the Victorians to the Moderns

Bloomsbury Academic, 2013

Book chapter

...A lady has to spend her life in the drawing room.The drawing room symbolized the essence of home life in the middle-class Victorian house; a private-public space, connecting the daily life of the family with invited guests, it was a staged...