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Baroque

Michael Coates

,

Michael Coates

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Graeme Brooker

Graeme Brooker is Professor and Head of Interior Design at the Royal College of Art, London. He has taught Interior Architecture and Design at the University of Brighton, University of Wales Institute Cardiff and Manchester Metropolitan University. Between 2013 and 2015 He was the Head of the Department of Fashion and Interiors at Middlesex University, London. He has been a visiting professor at institutions across Europe, the Far East and America. Author affiliation details are correct at time of print publication.

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and

Sally Stone

Sally Stone is an academic, writer and designer. She is the leader of the college of Continuity in Architecture, an Atelier for post-graduate teaching and research based in Manchester School of Architecture, UK, where she also leads the MA Architecture and Heritage course. Author affiliation details are correct at time of print publication.

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The Visual Dictionary of Interior Architecture and Design

AVA Publishing SA, 2009

Book chapter

...The dramatic and exuberant interior of the Karlskirche, Vienna, by Fischer Von Erlach, unites architecture, interior space, sculpture and painting into one glorious whole.A period in architectural history that began in the seventeenth...

‘The art of Shaddowes’

Stephen Kite

Stephen Kite is Professor of Architecture at the Welsh School of Architecture, Cardiff University, UK. His previous publications include Building Ruskin’s Italy: Watching Architecture (2012), Adrian Stokes: An Architectonic Eye (2009), and An Architecture of Invitation: Colin St John Wilson (2005, co-authored with Sarah Menin). He is an Editor of the journal Architectural Research Quarterly. Author affiliation details are correct at time of print publication.

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Shadow-Makers : A Cultural History of Shadows in Architecture

Bloomsbury Academic, 2017

Book chapter

...‘Baroque’ only emerges as a term in art criticism in the 1750s, to label something regarded as strange or weird.On the etymology and history of the term ‘baroque’, see Helen Hills, ‘The Baroque: The Grit in the Oyster of Art History...

Morphing

Roberto Bottazzi

Roberto Bottazzi is an architect, researcher, and educator based in London. He is Research Co-ordinator, Master Tutor, and Master Lecturer at the Royal College of Art, UK. Author affiliation details are correct at time of print publication.

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Digital Architecture Beyond Computers : Fragments of a Cultural History of Computational Design

Bloomsbury Visual Arts, 2018

Book chapter

...Introduction A discussion on morphing and contouring techniques will bring us to the very core of CAD tools. Not only because most software packages have such or similar commands, but also because contouring and morphing tools have at some...