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  • Georgian (British Renaissance-Baroque style)
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John Julius Angerstein and the Development of his Art Collection at No 100, Pall Mall, London

Susanna Avery-Quash

Susanna Avery-Quash is Senior Research Curator (History of Collecting), The National Gallery London, UK. Author affiliation details are correct at time of print publication.

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The Georgian London Town House : Building, Collecting and Display

Bloomsbury Visual Arts, 2019

Book chapter

...Using a variety of sources, including little-known correspondence and the diaries of Joseph Farington, Susanna Avery-Quash’s chaper discusses the formation and display of the painting collection of John Julius Angerstein at No. 100, Pall...

The King in the City: The Iconology of George IV in Edinburgh, 1822

Mark Dorrian

Mark Dorrian holds the Forbes Chair in Architecture at the University of Edinburgh, and is co-director of Metis, an atelier for art, architecture and urbanism. Author affiliation details are correct at time of print publication.

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Writing on the Image : Architecture, the City and the Politics of Representation

I.B.Tauris, 2015

Book chapter

...Spectacle and Spectatorship The story of George IV’s visit to Edinburgh in 1822 is well known. Scholars have often stressed its pantomimic aspects, and their writing has capitalised upon the improbable costumery and paraphernalia...

An Account of the Society for the Encouragement of Arts, Manufactures, and Commerce

John Britton

John Britton is Artistic Director of DUENDE, an international performance group dedicated to ensemble-based, interdisciplinary new work. Between 2004 and 2011 he was Senior Lecturer at the University of Huddersfield, where for a number of years he ran an innovative practice-based MA in Ensemble Physical Theatre. He still retains a research affiliation to the University of Huddersfield and is one of the only academic-pracitioners in the UK with a specific research focus and practice in the training and directing of ensemble theatre. Britton has a continuing international practice as a trainer and director of ensembles. Recent workshops have taken place in Mexico, Slovenia, France, Germany, Greece, Sweden, China, Portugal, Australia as well as the UK. Britton has extensive experience as a director, performer and writer of physical, interdisciplinary and text-based work. In 2013 he will teach, perform and direct in India for two months , as well as continuing to run DUENDE's programme of workshops and intensive, rural, residential training events. Author affiliation details are correct at time of print publication.

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Auguste Charles Pugin

Auguste Charles Pugin

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The Great Public Buildings of London Volume II : Historical and Descriptive Accounts of Each Edifice, with Illustrations

Bloomsbury Visual Arts, 2020

Book chapter

An Account of Somerset House and Place

The Great Public Buildings of London Volume II : Historical and Descriptive Accounts of Each Edifice, with Illustrations

Bloomsbury Visual Arts, 2020

Book chapter

An Account of the Custom-House

John Britton

John Britton is Artistic Director of DUENDE, an international performance group dedicated to ensemble-based, interdisciplinary new work. Between 2004 and 2011 he was Senior Lecturer at the University of Huddersfield, where for a number of years he ran an innovative practice-based MA in Ensemble Physical Theatre. He still retains a research affiliation to the University of Huddersfield and is one of the only academic-pracitioners in the UK with a specific research focus and practice in the training and directing of ensemble theatre. Britton has a continuing international practice as a trainer and director of ensembles. Recent workshops have taken place in Mexico, Slovenia, France, Germany, Greece, Sweden, China, Portugal, Australia as well as the UK. Britton has extensive experience as a director, performer and writer of physical, interdisciplinary and text-based work. In 2013 he will teach, perform and direct in India for two months , as well as continuing to run DUENDE's programme of workshops and intensive, rural, residential training events. Author affiliation details are correct at time of print publication.

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and

Auguste Charles Pugin

Auguste Charles Pugin

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The Great Public Buildings of London Volume I : Historical and Descriptive Accounts of Each Edifice, with Illustrations

Bloomsbury Visual Arts, 2020

Book chapter

An Account of the Theatre Royal Drury Lane

The Great Public Buildings of London Volume I : Historical and Descriptive Accounts of Each Edifice, with Illustrations

Bloomsbury Visual Arts, 2020

Book chapter

Superb Cabinets or Splendid Anachronisms? Anatomy, Natural History and Fine Arts in the London Town House

The Georgian London Town House : Building, Collecting and Display

Bloomsbury Visual Arts, 2019

Book chapter

...In the later 1760s, William Hunter commissioned the fashionable architect, Robert Mylne, to rebuild a town house at No. 16, Great Windmill Street. Hunter’s new home combined a working school of anatomy alongside his library, museum...

Afterword

Joseph Friedman

Joseph Friedman

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Susanna Avery-Quash

Susanna Avery-Quash is Senior Research Curator (History of Collecting), The National Gallery London, UK. Author affiliation details are correct at time of print publication.

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The Georgian London Town House : Building, Collecting and Display

Bloomsbury Visual Arts, 2019

Book chapter

...The Afterlife of the London Town House – Joseph Friedman What became of the houses recorded in this collection? Sadly, the story is one of almost unmitigated loss. Most of the houses have been demolished or else stripped of their contents,...

The Regency Transformation of Burlington House, Piccadilly

The Georgian London Town House : Building, Collecting and Display

Bloomsbury Visual Arts, 2019

Book chapter

...In 1818, the architect Samuel Ware completed his extensive three-year redesign of Burlington House in London’s Piccadilly for the new tenant-owner, Lord George Cavendish. Three years later, Ware returned to create the Burlington Arcade...