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Cartoon

The Printed and the Built : Architecture, Print Culture and Public Debate in the Nineteenth Century

Bloomsbury Visual Arts, 2018

Book chapter

...The figure of the architect and builder, though less exposed to social criticism than the politician, has not stayed safe from the pencils of satirical cartoonists. A cursory overview of graphic satire across the modern age reveals how...

Introduction: A Storehouse of Ideas

Mari Hvattum

MARI HVATTUM is Professor of Architectural History and Theory at the Oslo School of Architecture and Design, Norway. Author affiliation details are correct at time of print publication.

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Anne Hultzsch

Anne Hultzsch is a postdoctoral research fellow at The Oslo School of Architecture and Design and a teaching fellow at The Bartlett School of Architecture, UCL. Author affiliation details are correct at time of print publication.

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The Printed and the Built : Architecture, Print Culture and Public Debate in the Nineteenth Century

Bloomsbury Visual Arts, 2018

Book chapter

...The beautiful machinery of Mr. Applegath Applegath’s printing press in the Crystal Palace. Illustrated London News, 31 May 1851. Private collection. Issue number 489 of the Illustrated London News, published on Saturday 31 May 1851...

Libel

The Printed and the Built : Architecture, Print Culture and Public Debate in the Nineteenth Century

Bloomsbury Visual Arts, 2018

Book chapter

...According to one legal definition at the end of the eighteenth century, ‘A libel is a malicious defamation, expressed either in printing or writing, or by signs, pictures, &c. tending either to blacken the memory of one who is dead...

Xylography

The Printed and the Built : Architecture, Print Culture and Public Debate in the Nineteenth Century

Bloomsbury Visual Arts, 2018

Book chapter

...In November 1851, the Norwegian illustrated journal Illustreret Nyhedsblad published its second issue. Among its miscellaneous content, one item stood out: a full-page image of the interior of the Crystal Palace in London, accompanied...

Neoliberalism and Affect: Architecture and the Patterning of Experience

Douglas Spencer

Douglas Spencer lectures in architecture, urbanism and landscape at the Architectural Association, London, UK. He is a PhD supervisor at the Royal College of Art, and also teaches at the University of East London. Spencer is co-editor of Critical Territories (2014) and of Urban Prototypes: Mentalities and Perspectives (2014). He is also a published essayist (The Journal of Architecture, AA Files, Domus, Topos, Radical Philosophy and Harvard GSD's New Geographies) and has contributed articles to many edited collections. Author affiliation details are correct at time of print publication.

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The Architecture of Neoliberalism : How Contemporary Architecture Became an Instrument of Control and Compliance

Bloomsbury Academic, 2016

Book chapter

...The protocols of the learning landscape are signalled in the form and appearance of Ravensbourne’s architectural envelope.The publicity brochure for the college states that the new building has a unique tessellated outer skin, inspired...

The Past in Print: Ancient Buildings Represented by Engraving, Etching and Lithography in Early-Nineteenth-Century England

The Printed and the Built : Architecture, Print Culture and Public Debate in the Nineteenth Century

Bloomsbury Visual Arts, 2018

Book chapter

...It is many years since I began to write about the representation of the past in visual terms. The Clothing of Clio (1984) was my first attempt to encompass the many and various modes of representation, both visual and literary, which...

Colour

Mari Hvattum

MARI HVATTUM is Professor of Architectural History and Theory at the Oslo School of Architecture and Design, Norway. Author affiliation details are correct at time of print publication.

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The Printed and the Built : Architecture, Print Culture and Public Debate in the Nineteenth Century

Bloomsbury Visual Arts, 2018

Book chapter

...When the young Gottfried Semper published his bold hypothesis on the use of colour in ancient architecture, he did so in black and white. Vorläufige Bemerkungen über bemalte Architektur und Plastik bei den Alten (1834) was little more than...

Description

The Printed and the Built : Architecture, Print Culture and Public Debate in the Nineteenth Century

Bloomsbury Visual Arts, 2018

Book chapter

...Language, as Roland Barthes pointed out, is, by nature, fictional.Roland Barthes, Camera Lucida (La Chambre Claire, 1980), trans. R. Howard (London: Fontana, 1984), 87. In spite of all the stratagems that we resort to so as to give language...

The Ecology of Design

Lars Spuybroek

Lars Spuybroek is Professor of Architectural Design at the Georgia Institute of Technology in Atlanta, USA. He is the author of NOX: Machining Architecture (2004), The Architecture of Continuity (2008), Research & Design: The Architecture of Variation (2009) and Research & Design: Textile Tectonics (2011). He is an award-winning architect with his practice NOX. Archsoc.com listed Lars Spuybroek in the ‘best of the best’ category in the world-wide rating of architecture professors (2010–13). Author affiliation details are correct at time of print publication.

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Brian Massumi

Brian Massumi

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The Sympathy of Things : Ruskin and the Ecology of Design

Bloomsbury Academic, 2011

Book chapter

...Any vitalist argument must work in two directions. If we say, after Ruskin, that the Gothic can be considered as structure coming to life; that ornament and the picturesque can be considered the respective coming to life of surface...

Designing the Future

The Banham Lectures : Essays on Designing the Future

Berg, 2009

Book chapter

...Biography Tom Karen...